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Talk. Build 's Entries

  • 21 Nov 2018
    Colour is in vogue in lieu of recent research into colour psychology. These five points will illustrate how and why businesses can inject colour into a building’s exterior in order to enhance and reflect a business’s identity writes   Ben Warren, Managing Director at Baumit. A colour scheme not only has to complement the space, colour choice is crucial to the people or business inhabiting the area. Whether businesses are selecting their own colours, or have a designer specifying a particular scheme, colour is still an important consideration. The following five points illustrate how businesses can make colour work for their spaces: Signify business identity As first encounters are inherently based on visual appearance, colour can be the distinguishing aspect of a business. Although there is a huge weight on the importance of colour, it is important to not feel intimidated by this process. Choosing the colour or colour scheme which reflects an organisation’s ethos is not an easy task, especially when it is designed to complement a business’s identity. Whilst it takes time to determine a colour scheme, it can be a rewarding process which allows businesses to really get to grips with who they are and what they do. Market business identity   Every colour has the capability to leave a lasting impression. Although it is important to select attractive colours, it is also worthwhile to use colour to market business identity. A clear, consistent identity speaks volumes on the aims, objectives and approaches of a business. Unclear and random colours set a confusing image for a business’s brand. Keep employees happy One of the misconceptions about colour is that it only affects mood; in fact, colours shape our physical, emotional and mental state. Typically, blue is known for its stillness and its ability to affect our frame of mind. However, different tones of blue have different meanings. For instance, a light blue will calm the mind and create the feeling of stillness, whereas a more saturated blue would stimulate the mind. If businesses want to utilise colours to increase employee wellbeing and productivity they need to: assess the tasks of the employees, how long they spend in the space and what they want to achieve in that space. Does the employee’s job require a calming environment or a stimulating one? If they are dealing with difficult phone calls all day perhaps a lighter, calming blue would suit the environment, but if they are focusing on mundane tasks for long periods a brighter blue might be preferable. For instance, an office space would be designed differently to a canteen if the required outcome was different. Happy employees say a lot about the business it is representing and having spaces that suit the requirements, whether within interiors or on exterior façades, makes a clear statement about a company’s relationship with its employees. Get support and invest time Selecting a provider who is an expert in colour technology is a crucial requirement. Injecting colour into a building which houses your business is a bold move. But, gaining the support of a provider who understands the technology and theory behind colour choice is a worthwhile investment. Take time to select the perfect colour. Businesses invest time and money developing and honing their strategies, and the same should apply when it comes to considering colour schemes. Follow the 60 – 30 – 10 rule This ratio is a well-known tool created by designers which businesses can choose to use or not. It just depends on whether some organisations require the added support. To ensure a colour scheme looks balanced and calculated, this 60 – 30 – 10 proportion is a useful device. It ensures that the colours are not out of place, nor are they random. Finding the right colours to complement a business’s identity can be a challenge. However, with the right amount of research, consideration and support, colour can be the defining aspect of a business. Whilst some might choose to go green to reinforce their focus on employee wellbeing, others might stay with more modest tones, such as whites and greys, and introduce a blue or yellow into the mix. Every business is different and that is why colour is a great option – it showcases individuality. Take time to find the right colours for your business and see what differences they make. Visit: https://baumit.co.uk
    0 Posted by Talk. Build
  • Colour is in vogue in lieu of recent research into colour psychology. These five points will illustrate how and why businesses can inject colour into a building’s exterior in order to enhance and reflect a business’s identity writes   Ben Warren, Managing Director at Baumit. A colour scheme not only has to complement the space, colour choice is crucial to the people or business inhabiting the area. Whether businesses are selecting their own colours, or have a designer specifying a particular scheme, colour is still an important consideration. The following five points illustrate how businesses can make colour work for their spaces: Signify business identity As first encounters are inherently based on visual appearance, colour can be the distinguishing aspect of a business. Although there is a huge weight on the importance of colour, it is important to not feel intimidated by this process. Choosing the colour or colour scheme which reflects an organisation’s ethos is not an easy task, especially when it is designed to complement a business’s identity. Whilst it takes time to determine a colour scheme, it can be a rewarding process which allows businesses to really get to grips with who they are and what they do. Market business identity   Every colour has the capability to leave a lasting impression. Although it is important to select attractive colours, it is also worthwhile to use colour to market business identity. A clear, consistent identity speaks volumes on the aims, objectives and approaches of a business. Unclear and random colours set a confusing image for a business’s brand. Keep employees happy One of the misconceptions about colour is that it only affects mood; in fact, colours shape our physical, emotional and mental state. Typically, blue is known for its stillness and its ability to affect our frame of mind. However, different tones of blue have different meanings. For instance, a light blue will calm the mind and create the feeling of stillness, whereas a more saturated blue would stimulate the mind. If businesses want to utilise colours to increase employee wellbeing and productivity they need to: assess the tasks of the employees, how long they spend in the space and what they want to achieve in that space. Does the employee’s job require a calming environment or a stimulating one? If they are dealing with difficult phone calls all day perhaps a lighter, calming blue would suit the environment, but if they are focusing on mundane tasks for long periods a brighter blue might be preferable. For instance, an office space would be designed differently to a canteen if the required outcome was different. Happy employees say a lot about the business it is representing and having spaces that suit the requirements, whether within interiors or on exterior façades, makes a clear statement about a company’s relationship with its employees. Get support and invest time Selecting a provider who is an expert in colour technology is a crucial requirement. Injecting colour into a building which houses your business is a bold move. But, gaining the support of a provider who understands the technology and theory behind colour choice is a worthwhile investment. Take time to select the perfect colour. Businesses invest time and money developing and honing their strategies, and the same should apply when it comes to considering colour schemes. Follow the 60 – 30 – 10 rule This ratio is a well-known tool created by designers which businesses can choose to use or not. It just depends on whether some organisations require the added support. To ensure a colour scheme looks balanced and calculated, this 60 – 30 – 10 proportion is a useful device. It ensures that the colours are not out of place, nor are they random. Finding the right colours to complement a business’s identity can be a challenge. However, with the right amount of research, consideration and support, colour can be the defining aspect of a business. Whilst some might choose to go green to reinforce their focus on employee wellbeing, others might stay with more modest tones, such as whites and greys, and introduce a blue or yellow into the mix. Every business is different and that is why colour is a great option – it showcases individuality. Take time to find the right colours for your business and see what differences they make. Visit: https://baumit.co.uk
    Nov 21, 2018 0
  • 25 Oct 2018
    Building quicker and with better quality is the much-needed panacea for the UK housing crisis.  For these two reasons alone, it’s why volumetric modular construction has attracted so much interest from policy makers to businesses as a way to modernise the industry and create great places where people choose to live. By no means a new concept, offsite construction offers architects more control over detailed design and an opportunity to reclaim build quality. Changing delivery and construction methods has sadly meant the decision-making process has been steered from architects towards contractors. Volumetric modular construction allows an architect to gain a stronger voice on construction projects as they are involved from design to completion. It tends to avoid the architect being pushed around by contractors looking to value-engineer and do things more cheaply.  The architect is not caught on the back foot, because the solution is already there, and if changes do have to be made, then at least the architect gets paid for them. This avoids the common scenario where developers chop and change architects, which in turn loses that thread of knowledge throughout the build process.    Offsite technology not only addresses quality issues in design and build contracts, it is an increasingly important way to meet tough performance targets and counter climate change.  The thermal and acoustic performance of a building can be improved as modules are assembled off-site, where they can be easily checked and tested in factory conditions.  Fast and efficient builds can be achieved as difficult coordination issues on-site including production substitution can be avoided.  Furthermore, there are fewer defects, the snagging process is minimised and the process helps overcome skills shortages. The HTA-designed Apex House in Wembley represents the benefits of modular construction.  The 29-storey student accommodation was built using 679 off-site fabricated modules and is the tallest modular building in Europe. Resembling shipping containers and complete with kitchen, bathroom, services and a bed base, 11 modules can be installed per day. This results in a 12-month construction programme and built in half the time it would take to construct a concrete or steel-framed equivalent.  From concept to completion in 30 months, the project is an exemplar of what modular construction can bring to UK construction.  The true potential of modular construction as a solution to the housing crisis will surely be the HTA-designed paired towers at 101 George Street in Croydon.  This 38 and 44-storey build-to-rent scheme is currently under construction, and when complete will offer 546 new homes in what will be the tallest modular building in the world.  It will be delivered in just 24 months from construction starting to residents moving in. The housebuilding industry has lacked innovation for some time, but volumetric modular construction has potential to revolutionise the way we build homes. We just need to be able to convince the sceptics amongst us.  Perhaps we should use the analogy of building a car.  What would the quality of a car be that is built on the side of a road in a field? I’m not convinced the build quality would be anywhere close to that of one built in factory-controlled conditions. Visit: https://www.cbuilde.com
    0 Posted by Talk. Build
  • Building quicker and with better quality is the much-needed panacea for the UK housing crisis.  For these two reasons alone, it’s why volumetric modular construction has attracted so much interest from policy makers to businesses as a way to modernise the industry and create great places where people choose to live. By no means a new concept, offsite construction offers architects more control over detailed design and an opportunity to reclaim build quality. Changing delivery and construction methods has sadly meant the decision-making process has been steered from architects towards contractors. Volumetric modular construction allows an architect to gain a stronger voice on construction projects as they are involved from design to completion. It tends to avoid the architect being pushed around by contractors looking to value-engineer and do things more cheaply.  The architect is not caught on the back foot, because the solution is already there, and if changes do have to be made, then at least the architect gets paid for them. This avoids the common scenario where developers chop and change architects, which in turn loses that thread of knowledge throughout the build process.    Offsite technology not only addresses quality issues in design and build contracts, it is an increasingly important way to meet tough performance targets and counter climate change.  The thermal and acoustic performance of a building can be improved as modules are assembled off-site, where they can be easily checked and tested in factory conditions.  Fast and efficient builds can be achieved as difficult coordination issues on-site including production substitution can be avoided.  Furthermore, there are fewer defects, the snagging process is minimised and the process helps overcome skills shortages. The HTA-designed Apex House in Wembley represents the benefits of modular construction.  The 29-storey student accommodation was built using 679 off-site fabricated modules and is the tallest modular building in Europe. Resembling shipping containers and complete with kitchen, bathroom, services and a bed base, 11 modules can be installed per day. This results in a 12-month construction programme and built in half the time it would take to construct a concrete or steel-framed equivalent.  From concept to completion in 30 months, the project is an exemplar of what modular construction can bring to UK construction.  The true potential of modular construction as a solution to the housing crisis will surely be the HTA-designed paired towers at 101 George Street in Croydon.  This 38 and 44-storey build-to-rent scheme is currently under construction, and when complete will offer 546 new homes in what will be the tallest modular building in the world.  It will be delivered in just 24 months from construction starting to residents moving in. The housebuilding industry has lacked innovation for some time, but volumetric modular construction has potential to revolutionise the way we build homes. We just need to be able to convince the sceptics amongst us.  Perhaps we should use the analogy of building a car.  What would the quality of a car be that is built on the side of a road in a field? I’m not convinced the build quality would be anywhere close to that of one built in factory-controlled conditions. Visit: https://www.cbuilde.com
    Oct 25, 2018 0
  • 05 Oct 2018
    We’re in the middle of a shift in the world of architecture, construction, engineering and design writes Damian O'Neill, Director at Lyons O'Neill. We’ve just had London Design Festival, a week celebrating creativity and innovation in British design and inspiring the public and those in the industry to think about its future. This year’s festival had several arresting public installations: from Es Devlin’s roaring red poetry lion in Trafalgar Square and Kellenberger’s alphabet chairs to the Cross-Laminated Timber maze-pavillion in the V&A courtyard by Waugh Thistleton Architects. Architecture and design hit mainstream national headlines, reminding us of the great impact structures have. However, although each of these examples were uniquely thought-provoking, they all had something in common, reflecting a shift in thinking seen in the rest of the Festival as well as the architecture and design space as a whole. What linked these innovative projects was their exploration of the active relationship between a man-made structure and the environment, urban and natural. Both in terms of materials used, responding to the pressing need for environmental sustainability, and incorporation of their site-specific context, these projects demonstrate that in architecture we can no longer think of structures as static, monolithic objects, but as needing to adapt and relate to their surroundings and users. In addition to envisioning structures as relationships rather than objects, in conversation with the world, we’re also beginning to explore the impact buildings have on our natures. Research has shown that in the hippocampal part of our brain we have special cells which respond to the geometry and arrangement of the spaces we are in. And there are increasing studies being published which document the mental and emotional impact design has on the people who use a space. When designing, we therefore not only need to understand how a structure will affect and be affected by its natural environment, but the social role it plays. Alarge part of rethinking the built environment’s relationship with nature is by paying greater attention and respect to nature. In many ways, nature is the ultimate architect, displaying a breath-taking complexity and variety of design in its vast web of connections. Pioneering architecture and engineering is now about learning from this interconnection and seeking to work with, not against nature, designing structures to visually and physically integrate with their surroundings. And this new way of thinking isn’t just for design festivals and one-off flagship projects. A project of any scale should seek to marry nature with design and this begins right from the planning and drawings stage. Thoroughly researching the environmental conditions of an area will highlight which design elements and materials are most suited to the project and will minimise lasting disruption. For example, our award-winning Resedale House project came with a number of design considerations due to its sloping rural site and sustainability goals, but our close collaboration with Khoury Architects meant these were incorporated into the stunning and lightweight structure that was created. Using split levels to maximise space whilst minimising building height, as well as adding a lake area, meant the project was visually in tune with its surroundings. And strategically placed glazed facades meant the house’s inhabitants could enjoy the full benefit of the rural location and natural light. Architecture and design have many challenges ahead, both in the planning and construction stages. But this shouldn’t stifle creativity and inspiration but rather multiply it, as we understand that our structures, as well as ourselves, are in conversation with nature and all its beauty. Visit: http://www.lyonsoneill.co.uk    
    0 Posted by Talk. Build
  • We’re in the middle of a shift in the world of architecture, construction, engineering and design writes Damian O'Neill, Director at Lyons O'Neill. We’ve just had London Design Festival, a week celebrating creativity and innovation in British design and inspiring the public and those in the industry to think about its future. This year’s festival had several arresting public installations: from Es Devlin’s roaring red poetry lion in Trafalgar Square and Kellenberger’s alphabet chairs to the Cross-Laminated Timber maze-pavillion in the V&A courtyard by Waugh Thistleton Architects. Architecture and design hit mainstream national headlines, reminding us of the great impact structures have. However, although each of these examples were uniquely thought-provoking, they all had something in common, reflecting a shift in thinking seen in the rest of the Festival as well as the architecture and design space as a whole. What linked these innovative projects was their exploration of the active relationship between a man-made structure and the environment, urban and natural. Both in terms of materials used, responding to the pressing need for environmental sustainability, and incorporation of their site-specific context, these projects demonstrate that in architecture we can no longer think of structures as static, monolithic objects, but as needing to adapt and relate to their surroundings and users. In addition to envisioning structures as relationships rather than objects, in conversation with the world, we’re also beginning to explore the impact buildings have on our natures. Research has shown that in the hippocampal part of our brain we have special cells which respond to the geometry and arrangement of the spaces we are in. And there are increasing studies being published which document the mental and emotional impact design has on the people who use a space. When designing, we therefore not only need to understand how a structure will affect and be affected by its natural environment, but the social role it plays. Alarge part of rethinking the built environment’s relationship with nature is by paying greater attention and respect to nature. In many ways, nature is the ultimate architect, displaying a breath-taking complexity and variety of design in its vast web of connections. Pioneering architecture and engineering is now about learning from this interconnection and seeking to work with, not against nature, designing structures to visually and physically integrate with their surroundings. And this new way of thinking isn’t just for design festivals and one-off flagship projects. A project of any scale should seek to marry nature with design and this begins right from the planning and drawings stage. Thoroughly researching the environmental conditions of an area will highlight which design elements and materials are most suited to the project and will minimise lasting disruption. For example, our award-winning Resedale House project came with a number of design considerations due to its sloping rural site and sustainability goals, but our close collaboration with Khoury Architects meant these were incorporated into the stunning and lightweight structure that was created. Using split levels to maximise space whilst minimising building height, as well as adding a lake area, meant the project was visually in tune with its surroundings. And strategically placed glazed facades meant the house’s inhabitants could enjoy the full benefit of the rural location and natural light. Architecture and design have many challenges ahead, both in the planning and construction stages. But this shouldn’t stifle creativity and inspiration but rather multiply it, as we understand that our structures, as well as ourselves, are in conversation with nature and all its beauty. Visit: http://www.lyonsoneill.co.uk    
    Oct 05, 2018 0
  • 06 Jul 2018
    Thanks to innovation in external paints and renders, a building’s façade can be as attractive as it is well protected. Ben Warren, Managing Director at Baumit; the leading building manufacturer of EWI paints and products, considers how the work of researchers and designers has improved colour technology to such an extent exteriors have become not only functional but reflective of the personality of the building. Imagine if we lived in a world where different coloured high-rises dominated the globe’s cityscapes. Or in rural areas where green buildings complement the scenery, intensifying the landscape. Instead of greys and whites, there might be deep turquoises or rich browns and oranges. These striking images seem more suited to a cartoon rather than any real environment. Try and tell a business to paint their building in a forest green and they might not take you as seriously as originally hoped. Unless their business or trade is within the realms of sustainability, horticulture or renewable energy, they might see colour as a way of compromising, rather than enhancing, their business. And this mentality really needs to change, particularly in light of new colour technology. Making colour last Prior to the advent of new colour technologies, colour experts were tasked with the complex process of improving how colour is perceived, especially in terms of longevity. Arguably, some building owners, or businesses who inhabit buildings, hesitate from painting their facades as they believe the colour will fade when exposed to adverse weather conditions and the like. No business wants a drab or tired-looking exterior after six months. Maybe the world would have more faith in colour, if the technology could ensure coloured facades were a sustainable and plausible investment. Luckily enough, the introduction of new colour technology means coloured facades will not be a thing of the future for much longer. Colour technology has developed further than dyes and inks, and now encompasses rigorous testing and measuring of colour quality. These processes evaluate colour quality to make the overall applications long-lasting, high-tech and sophisticated.   There are now products on the market which have been engineered to such a high standard that a red, yellow or green façade will not lose its intensity when exposed to sunlight. This kind of advanced technology will revolutionise the way we paint our buildings, where these new mechanisms will give businesses more confidence in colour choice as they know colour will last. Practicality and performance Colour isn’t simply about aesthetics. Whilst it is important for the new technologies to eliminate colour-fade and ensure colours keep their lustre, colour must also protect and optimise the performance of a building’s façade. Colour technology can now improve a building’s long-term performance without compromising on the colour’s intensity. Highly-engineered acrylic façade paints guarantee excellent coverage without having mucilaginous or sticky consistencies. These specific kinds of paints can be based on mineral binders to increase a wall’s breathability. Furthermore, there are paints designed to reduce water absorption. These paints contain a silicone resin binder, which repels water from the surface. Finally, there are also paints which contain UV resistance properties, acting as a protective barrier to shield a façade from intense sunrays and potential sun damage. If these technologies didn’t seem inventive enough, façade paints are also available in a whole host of colours and effects, including metallic or glitter veneers. When exposed to sunlight these layers illuminate a building, protecting it from the sun in the process. With the assistance of colour technology, colour façades are gaining in momentum, delivering on both aesthetics and performance.   Human factors It is a very well-known fact across the globe that colour has an intrinsic ability to positively affect people’s state of mind. Through colour association, we align blue notes with feelings of tranquillity and yellow shades with optimism and health. Different colours take on different meanings across various cultures; whilst red might mean thrill in more western cultures, it is the sign of death in Africa. Colour is evocative and stimulating, so why aren’t we seeing more colours on our streets when it is scientifically proven to improve our wellbeing?   Colours possess a certain dynamism which, when utilised effectively, emphasise a building’s personality. Drawing on the psychological properties of colour, business owners might paint their façades in a soft-bluey grey to reinforce coolness or intelligence, for instance. Conversely, colours can be combined to create brilliant exteriors which complement a company’s multidimensionality. Duck-egg blue fits perfectly with a bright orange, juxtaposing calmness with a splash of fun and originality. Not only does colour inject vibrancy into a façade, it improves the health and wellbeing of its occupants. Colours make people smile, meaning workers enter their places of work in more productive and happier moods. New colour technology has drawn on the psychological benefits of colour to create exteriors which stimulate the minds of a building’s inhabitants, actively improving employee health wellbeing. Although some might believe colour is more important in interiors rather than exteriors; think on this. Isn’t a building’s exterior the first thing we see? Can exteriors be the first point to create an affect in the beholder? With the assistance of colour technology, exteriors have become just as important as interiors. Colour specialists have created new technologies which ensure colour is both aesthetically-stimulating and practically-efficient. This balance, functionality and appearance, is crucial. Suddenly colour never looked so attractive. Visit: https://www.baumit.co.uk
    0 Posted by Talk. Build
  • Thanks to innovation in external paints and renders, a building’s façade can be as attractive as it is well protected. Ben Warren, Managing Director at Baumit; the leading building manufacturer of EWI paints and products, considers how the work of researchers and designers has improved colour technology to such an extent exteriors have become not only functional but reflective of the personality of the building. Imagine if we lived in a world where different coloured high-rises dominated the globe’s cityscapes. Or in rural areas where green buildings complement the scenery, intensifying the landscape. Instead of greys and whites, there might be deep turquoises or rich browns and oranges. These striking images seem more suited to a cartoon rather than any real environment. Try and tell a business to paint their building in a forest green and they might not take you as seriously as originally hoped. Unless their business or trade is within the realms of sustainability, horticulture or renewable energy, they might see colour as a way of compromising, rather than enhancing, their business. And this mentality really needs to change, particularly in light of new colour technology. Making colour last Prior to the advent of new colour technologies, colour experts were tasked with the complex process of improving how colour is perceived, especially in terms of longevity. Arguably, some building owners, or businesses who inhabit buildings, hesitate from painting their facades as they believe the colour will fade when exposed to adverse weather conditions and the like. No business wants a drab or tired-looking exterior after six months. Maybe the world would have more faith in colour, if the technology could ensure coloured facades were a sustainable and plausible investment. Luckily enough, the introduction of new colour technology means coloured facades will not be a thing of the future for much longer. Colour technology has developed further than dyes and inks, and now encompasses rigorous testing and measuring of colour quality. These processes evaluate colour quality to make the overall applications long-lasting, high-tech and sophisticated.   There are now products on the market which have been engineered to such a high standard that a red, yellow or green façade will not lose its intensity when exposed to sunlight. This kind of advanced technology will revolutionise the way we paint our buildings, where these new mechanisms will give businesses more confidence in colour choice as they know colour will last. Practicality and performance Colour isn’t simply about aesthetics. Whilst it is important for the new technologies to eliminate colour-fade and ensure colours keep their lustre, colour must also protect and optimise the performance of a building’s façade. Colour technology can now improve a building’s long-term performance without compromising on the colour’s intensity. Highly-engineered acrylic façade paints guarantee excellent coverage without having mucilaginous or sticky consistencies. These specific kinds of paints can be based on mineral binders to increase a wall’s breathability. Furthermore, there are paints designed to reduce water absorption. These paints contain a silicone resin binder, which repels water from the surface. Finally, there are also paints which contain UV resistance properties, acting as a protective barrier to shield a façade from intense sunrays and potential sun damage. If these technologies didn’t seem inventive enough, façade paints are also available in a whole host of colours and effects, including metallic or glitter veneers. When exposed to sunlight these layers illuminate a building, protecting it from the sun in the process. With the assistance of colour technology, colour façades are gaining in momentum, delivering on both aesthetics and performance.   Human factors It is a very well-known fact across the globe that colour has an intrinsic ability to positively affect people’s state of mind. Through colour association, we align blue notes with feelings of tranquillity and yellow shades with optimism and health. Different colours take on different meanings across various cultures; whilst red might mean thrill in more western cultures, it is the sign of death in Africa. Colour is evocative and stimulating, so why aren’t we seeing more colours on our streets when it is scientifically proven to improve our wellbeing?   Colours possess a certain dynamism which, when utilised effectively, emphasise a building’s personality. Drawing on the psychological properties of colour, business owners might paint their façades in a soft-bluey grey to reinforce coolness or intelligence, for instance. Conversely, colours can be combined to create brilliant exteriors which complement a company’s multidimensionality. Duck-egg blue fits perfectly with a bright orange, juxtaposing calmness with a splash of fun and originality. Not only does colour inject vibrancy into a façade, it improves the health and wellbeing of its occupants. Colours make people smile, meaning workers enter their places of work in more productive and happier moods. New colour technology has drawn on the psychological benefits of colour to create exteriors which stimulate the minds of a building’s inhabitants, actively improving employee health wellbeing. Although some might believe colour is more important in interiors rather than exteriors; think on this. Isn’t a building’s exterior the first thing we see? Can exteriors be the first point to create an affect in the beholder? With the assistance of colour technology, exteriors have become just as important as interiors. Colour specialists have created new technologies which ensure colour is both aesthetically-stimulating and practically-efficient. This balance, functionality and appearance, is crucial. Suddenly colour never looked so attractive. Visit: https://www.baumit.co.uk
    Jul 06, 2018 0
  • 03 Sep 2017
    When you consider the global population is set to increase by another 2 billion by 2050 and with 70% of the world’s population living in cities, there will an unprecedented demand for energy across the planet. The opportunity for architects and stakeholders to create buildings which reduce energy use has never been more apparent.  But can energy efficiency be achieved whilst still maintaining architectural intent? One of the key challenges for architects is working in any way that is inclusive to others so that energy performance can be achieved. Once this challenge is overcome, it’s possible to look at what needs to be achieved in terms of design and energy performance, and then endeavour to make it happen.  The environmental integrity of any building, both in terms of design and operation, must be a key consideration in the design of new buildings and the renovation of existing ones. More and more architects and designers are realising that if you design to be energy efficient it improves quality of life and minimises the harmful impacts on our health.  At the same time, clients are reaping the benefits of more environmentally responsible buildings through future-proofing, reduced operating costs, and comfort and health benefits. Sustainability and environmental objectives can be made a priority in every building design and as such, the thermal performance of the building envelope can make a significant contribution to reducing the overall building energy usage.  The use of renewable energy sources such as wind, geothermal and solar along with the orientation of a building to take full advantage of seasonal changes in the sun’s position are all important steps that can be taken to design for energy efficiency. Indoor environmental quality and how occupants feel in a space is also intrinsic to how an architect strikes a balance between design and sustainability. A healthy indoor environment can be achieved through adequate ventilation, temperature control and the use of low VOC materials. So what is holding back some architects and building owners? Some remain sceptical about climate change while others are not familiar with the new tools and processes that have emerged in recent years to support energy-efficient design. Others might say it costs too much.  Yet evidence increasingly shows that higher performance need not mean higher costs.  It’s possible to integrate environmentally- conscious features and also make fundamental decisions regarding sustainability early in the design process which saves time and money in the long term. Some of the biggest successes in history have come about because of a problem and someone saying let’s work with someone else to try and resolve this problem. From the industrial revolution to the lightbulb to the moon landing, all have come about because of a problem and how we overcame it.  No one person has done it on their own; it’s been a collaboration.  When we collaborate, we achieve things that are far better than when we don’t collaborate. By Darren Evans, Managing Director, Darren Evans Assessments Visit: http://www.darren-evans.co.uk/
    0 Posted by Talk. Build
  • When you consider the global population is set to increase by another 2 billion by 2050 and with 70% of the world’s population living in cities, there will an unprecedented demand for energy across the planet. The opportunity for architects and stakeholders to create buildings which reduce energy use has never been more apparent.  But can energy efficiency be achieved whilst still maintaining architectural intent? One of the key challenges for architects is working in any way that is inclusive to others so that energy performance can be achieved. Once this challenge is overcome, it’s possible to look at what needs to be achieved in terms of design and energy performance, and then endeavour to make it happen.  The environmental integrity of any building, both in terms of design and operation, must be a key consideration in the design of new buildings and the renovation of existing ones. More and more architects and designers are realising that if you design to be energy efficient it improves quality of life and minimises the harmful impacts on our health.  At the same time, clients are reaping the benefits of more environmentally responsible buildings through future-proofing, reduced operating costs, and comfort and health benefits. Sustainability and environmental objectives can be made a priority in every building design and as such, the thermal performance of the building envelope can make a significant contribution to reducing the overall building energy usage.  The use of renewable energy sources such as wind, geothermal and solar along with the orientation of a building to take full advantage of seasonal changes in the sun’s position are all important steps that can be taken to design for energy efficiency. Indoor environmental quality and how occupants feel in a space is also intrinsic to how an architect strikes a balance between design and sustainability. A healthy indoor environment can be achieved through adequate ventilation, temperature control and the use of low VOC materials. So what is holding back some architects and building owners? Some remain sceptical about climate change while others are not familiar with the new tools and processes that have emerged in recent years to support energy-efficient design. Others might say it costs too much.  Yet evidence increasingly shows that higher performance need not mean higher costs.  It’s possible to integrate environmentally- conscious features and also make fundamental decisions regarding sustainability early in the design process which saves time and money in the long term. Some of the biggest successes in history have come about because of a problem and someone saying let’s work with someone else to try and resolve this problem. From the industrial revolution to the lightbulb to the moon landing, all have come about because of a problem and how we overcame it.  No one person has done it on their own; it’s been a collaboration.  When we collaborate, we achieve things that are far better than when we don’t collaborate. By Darren Evans, Managing Director, Darren Evans Assessments Visit: http://www.darren-evans.co.uk/
    Sep 03, 2017 0
  • 26 Jul 2017
    When it comes to maximising natural daylight in buildings, understandably perhaps, much attention is paid to the type of glass used in windows or the shades of finish applied to walls – but what about the colour of the flooring? In commercial properties especially, staff not only benefit from a smooth, reliable, hard-wearing surface, its colour can have a large bearing on creating an environment conducive to a happy, healthy, productive workspace. In a good light As industrial flooring specialists of many years’ experience, we have seen how lighter-coloured floors can help optimise natural light in buildings for the good of the company and environment. Daylight is an even more precious commodity for those working inside; therefore it’s particularly important this natural resource is fully-harnessed as its rewards are plentiful. Naturally-lit buildings increase the feel-good factor for occupants, and in commercial terms, a contented workforce is proven to be more productive. Lighter, brighter environments reduce instances of sick-building syndrome among staff, which leads to less absenteeism. Letting more daylight into offices and factories can also help reduce conditions such as Seasonal Affective Disorder (SAD), an illness which is thought to occur due to lack of exposure to sunlight, particularly in winter.  As well as the health benefits, buildings with a predominance of natural lighting will use far less energy than those flooded with artificial illumination. Electricity used for lighting is considerably more expensive in terms of CO2 than gas used for heating, and as reducing carbon emissions is paramount to achieving Part L Building Regulation compliance, the importance of making full-use of natural energy cannot be overstated. Reflective glory  A recent refurbishment Zircon Flooring carried out at SFS Intec, a self-drilling screw manufacturer in Leeds, gives a perfect example of how a light-coloured floor can utilise available daylight. The 7,300m2 new surface of its plant comprised a low-viscosity resin: Sikafloor-161, and Sikafloor-263 SL, a multi-purpose binder. The top coat’s light-grey colour provided the ideal shade to best reflect the natural daylight and enhance the building’s overall brightness. Sika’s support was paramount to the successful specification of the aforementioned flooring system. The guidance and knowledge of its technical teams meant the selected products were absolutely appropriate for the floor’s required performance. As well as providing excellent thought leadership, Sika’s support teams remained available throughout the floor’s installation to ensure the process was completed successfully and to the highest quality.  Extolling the benefits of light-coloured flooring doesn’t guarantee clients will take the notion on board. Some will continue to insist on having black or dark flooring as it is felt shadier tones will mask dirt or markings, which is far from the case. Reds, greens, dark greys, blacks and browns are all no-no flooring colours if natural daylight reflection is the goal.  Sikafloor has any number of light-coloured finishes to maximise daylight in buildings. Each shade has a RAL number, ensuring it meets international colour standards. Scientific study has proved interior colours can have a major influence on our mood and sense of wellbeing. Therefore, taking a lighter approach to the shade of flooring we choose can give our working environment a lift in so many welcoming ways. By Stewart Draper, Managing Director at Zircon Flooring  
    0 Posted by Talk. Build
  • When it comes to maximising natural daylight in buildings, understandably perhaps, much attention is paid to the type of glass used in windows or the shades of finish applied to walls – but what about the colour of the flooring? In commercial properties especially, staff not only benefit from a smooth, reliable, hard-wearing surface, its colour can have a large bearing on creating an environment conducive to a happy, healthy, productive workspace. In a good light As industrial flooring specialists of many years’ experience, we have seen how lighter-coloured floors can help optimise natural light in buildings for the good of the company and environment. Daylight is an even more precious commodity for those working inside; therefore it’s particularly important this natural resource is fully-harnessed as its rewards are plentiful. Naturally-lit buildings increase the feel-good factor for occupants, and in commercial terms, a contented workforce is proven to be more productive. Lighter, brighter environments reduce instances of sick-building syndrome among staff, which leads to less absenteeism. Letting more daylight into offices and factories can also help reduce conditions such as Seasonal Affective Disorder (SAD), an illness which is thought to occur due to lack of exposure to sunlight, particularly in winter.  As well as the health benefits, buildings with a predominance of natural lighting will use far less energy than those flooded with artificial illumination. Electricity used for lighting is considerably more expensive in terms of CO2 than gas used for heating, and as reducing carbon emissions is paramount to achieving Part L Building Regulation compliance, the importance of making full-use of natural energy cannot be overstated. Reflective glory  A recent refurbishment Zircon Flooring carried out at SFS Intec, a self-drilling screw manufacturer in Leeds, gives a perfect example of how a light-coloured floor can utilise available daylight. The 7,300m2 new surface of its plant comprised a low-viscosity resin: Sikafloor-161, and Sikafloor-263 SL, a multi-purpose binder. The top coat’s light-grey colour provided the ideal shade to best reflect the natural daylight and enhance the building’s overall brightness. Sika’s support was paramount to the successful specification of the aforementioned flooring system. The guidance and knowledge of its technical teams meant the selected products were absolutely appropriate for the floor’s required performance. As well as providing excellent thought leadership, Sika’s support teams remained available throughout the floor’s installation to ensure the process was completed successfully and to the highest quality.  Extolling the benefits of light-coloured flooring doesn’t guarantee clients will take the notion on board. Some will continue to insist on having black or dark flooring as it is felt shadier tones will mask dirt or markings, which is far from the case. Reds, greens, dark greys, blacks and browns are all no-no flooring colours if natural daylight reflection is the goal.  Sikafloor has any number of light-coloured finishes to maximise daylight in buildings. Each shade has a RAL number, ensuring it meets international colour standards. Scientific study has proved interior colours can have a major influence on our mood and sense of wellbeing. Therefore, taking a lighter approach to the shade of flooring we choose can give our working environment a lift in so many welcoming ways. By Stewart Draper, Managing Director at Zircon Flooring  
    Jul 26, 2017 0
  • 10 Jul 2017
    A house built using polyurethane materials consumes 85% less energy than a home built from conventional materials.  They can provide very high levels of insulation with minimal thickness which in turn allows architects and designers to maximise the use of interior spaces. It is perhaps no surprise then that when it came to the construction of a passive house in Belgium, polyurethane insulation materials were used to create a highly insulating building fabric. Three years on, has the Polyurethanes Passive House in Brussels and its very well insulated and sealed envelope provided a comfortable and healthy environment throughout the year? The end-of-terrace four-storey family house developed by ISOPA, the European trade body for diisocyanate and polyol producers, was completed in Evere near Brussels in 2013. It is now occupied and working as a low energy test bed, its running costs and energy use closely measured to show the savings possible for homeowners. While there are over 12,000 new build Passive House certified buildings across Europe,  the ISOPA house is unusual in using a high proportion of PU to achieve its highly insulating fabric first design which reduces the need for heating and saves around 80% of the energy used by a normal house.  PU insulation has been used wherever possible from wall cavities to the floor, and windows to the roof. The house has been designed so that all of the construction elements work together in an integrated way, from the solar panels on the roof to the geothermal heat pump and MVHR system which ensures that warm fresh air circulates internally despite the high air tightness levels. The University of Leuven has been evaluating the home’s overall performance, energy use and indoor comfort levels which would verify whether the PU products as installed were really achieving the calculated performance levels. The analysis of the data yielded an estimated heat loss coefficient of 60.0 W/K, with a standard deviation of 3.0 W/K. This indicates that the thermal performance of the building fabric meets the very high standards expected, which was instrumental to the project reaching the performance levels required for Passive House certification. Known for the comfort they provide, polyurethanes are ideal for Passive House construction because they provide very high levels of insulation thanks to low thermal conductivity, meaning they provide reduced thickness increasing their affordability and reducing the impact on building footprints. As well as requiring fewer adjustments to be made to the design of buildings and less aesthetic compromises such as with deep window reveals, further cost savings on depth of eaves, joists, rafters or studs, lengths of fixings can be achieved. In short, the extremely low U-values required for Passive House projects can be much more easily achieved with PU than with other materials as far fewer changes to design detailing are required. Rigid PIR insulation boards are also light but strong, moisture-resistant and easy to install, and they, as well as spray foam PUR insulation, retain their insulating properties for the life of the building.  Last but not least, PU materials contribute to preservation of natural resources by reducing the need for energy which assists their sustainability credentials in Passive House projects. With a daunting 80% reduction in carbon emissions on 1990 levels called for globally by 2050, such efforts to create practical ‘near zero energy’ houses are essential. With houses accounting for 40% of energy consumed across Europe, achieving the means of constructing new Passive Houses affordably using PU which can deliver the results while saving homeowners money is the realistic way forward, as demonstrated at the Polyurethanes Passive House. Marleen Baes, European Product and Certification Manager, IKO For more information about BRUFMA visit www.brufma.co.uk.
    0 Posted by Talk. Build
  • A house built using polyurethane materials consumes 85% less energy than a home built from conventional materials.  They can provide very high levels of insulation with minimal thickness which in turn allows architects and designers to maximise the use of interior spaces. It is perhaps no surprise then that when it came to the construction of a passive house in Belgium, polyurethane insulation materials were used to create a highly insulating building fabric. Three years on, has the Polyurethanes Passive House in Brussels and its very well insulated and sealed envelope provided a comfortable and healthy environment throughout the year? The end-of-terrace four-storey family house developed by ISOPA, the European trade body for diisocyanate and polyol producers, was completed in Evere near Brussels in 2013. It is now occupied and working as a low energy test bed, its running costs and energy use closely measured to show the savings possible for homeowners. While there are over 12,000 new build Passive House certified buildings across Europe,  the ISOPA house is unusual in using a high proportion of PU to achieve its highly insulating fabric first design which reduces the need for heating and saves around 80% of the energy used by a normal house.  PU insulation has been used wherever possible from wall cavities to the floor, and windows to the roof. The house has been designed so that all of the construction elements work together in an integrated way, from the solar panels on the roof to the geothermal heat pump and MVHR system which ensures that warm fresh air circulates internally despite the high air tightness levels. The University of Leuven has been evaluating the home’s overall performance, energy use and indoor comfort levels which would verify whether the PU products as installed were really achieving the calculated performance levels. The analysis of the data yielded an estimated heat loss coefficient of 60.0 W/K, with a standard deviation of 3.0 W/K. This indicates that the thermal performance of the building fabric meets the very high standards expected, which was instrumental to the project reaching the performance levels required for Passive House certification. Known for the comfort they provide, polyurethanes are ideal for Passive House construction because they provide very high levels of insulation thanks to low thermal conductivity, meaning they provide reduced thickness increasing their affordability and reducing the impact on building footprints. As well as requiring fewer adjustments to be made to the design of buildings and less aesthetic compromises such as with deep window reveals, further cost savings on depth of eaves, joists, rafters or studs, lengths of fixings can be achieved. In short, the extremely low U-values required for Passive House projects can be much more easily achieved with PU than with other materials as far fewer changes to design detailing are required. Rigid PIR insulation boards are also light but strong, moisture-resistant and easy to install, and they, as well as spray foam PUR insulation, retain their insulating properties for the life of the building.  Last but not least, PU materials contribute to preservation of natural resources by reducing the need for energy which assists their sustainability credentials in Passive House projects. With a daunting 80% reduction in carbon emissions on 1990 levels called for globally by 2050, such efforts to create practical ‘near zero energy’ houses are essential. With houses accounting for 40% of energy consumed across Europe, achieving the means of constructing new Passive Houses affordably using PU which can deliver the results while saving homeowners money is the realistic way forward, as demonstrated at the Polyurethanes Passive House. Marleen Baes, European Product and Certification Manager, IKO For more information about BRUFMA visit www.brufma.co.uk.
    Jul 10, 2017 0